Christinas World 1948 Museum of Modern Art New York City
Andrew Wyeth Christina'south Globe 1948
- MoMA, Floor 5, 520 The Alfred H. Barr, Jr. Galleries
Set in the stark landscape of littoral Maine, Christina'due south World depicts a young woman seen from behind, wearing a pinkish dress and lying in a grassy field. Although she appears to be in a position of tranquillity, her torso, propped on her arms, is strangely alarm; her silhouette is tense, about frozen, giving the impression that she is stock-still to the ground. She stares at a distant farmhouse and a grouping of outbuildings, aboriginal and grayed in harmony with the dry grass and clouded heaven.
Wyeth'southward neighbour Anna Christina Olson inspired the composition, which is one of 4 paintings by Wyeth in which she appears. Equally a young girl, Olson adult a degenerative muscle condition—possibly polio—that left her unable to walk. She refused to utilise a wheelchair, preferring to crawl, as depicted here, using her arms to drag her lower body along. "The challenge to me," Wyeth explained, "was to exercise justice to her extraordinary conquest of a life which virtually people would consider hopeless."
The high level of detail Wyeth gave to every object in his paintings encourages intense inspection, merely his titles reveal the inner significance of their outwardly straightforward subjects. The title Christina's World, courtesy of Wyeth'due south wife, indicates that the painting is more than a psychological landscape than a portrait, a portrayal of a state of mind rather than a place.
Publication extract from MoMA Highlights: 375 Works from The Museum of Modern Art, New York (New York: The Museum of Mod Art, 2019)
The woman crawling through the tawny grass was the artist'due south neighbour in Maine, who, crippled by polio, "was limited physically but by no ways spiritually." Wyeth further explained, "The challenge to me was to do justice to her boggling conquest of a life which well-nigh people would consider hopeless." He recorded the arid landscape, rural house, and shacks with peachy detail, painting minute blades of grass, individual strands of hair, and nuances of low-cal and shadow.
Gallery characterization from 2007.
We have identified these works in the following photos from our exhibition history.
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American Paintings from the Museum Drove
Dec 23, 1948–Mar thirteen, 1949
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Art in a Changing Globe: 1884–1964: Painting and Sculpture from the Museum Collection
May 27, 1964
3 other works identified
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Art of the Forties
Feb 24–April 30, 1991
3 other works identified
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Art of the Forties
Feb 24–April thirty, 1991
7 other works identified
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Artist's Selection: John Baldessari
Mar 17–May 10, 1994
2 other works identified
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Painting &
Sculpture Two Nov xx, 2004–Aug five, 2015
1 other work identified
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American Mod: Hopper to O'Keeffe
Aug 17, 2013–Jan 26, 2014
12 other works identified
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American Modern: Hopper to O'Keeffe
Aug 17, 2013–Jan 26, 2014
10 other works identified
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American Mod: Hopper to O'Keeffe
Aug 17, 2013–January 26, 2014
iii other works identified
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American Mod: Hopper to O'Keeffe
Aug 17, 2013–Jan 26, 2014
3 other works identified
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520: Picturing America
Through Spring 2022
five other works identified
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520: Picturing America
Through Jump 2022
9 other works identified
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Source: https://www.moma.org/collection/works/78455
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